“Whittle,” and “Blues (iii),” Salvation South, June 13, 2026.
“Idiom,” Critical Humanities, Volume 5, Issue 1, 2026.
“Blues (ii)” and “Pop Quiz!’ Does It Have Pockets, April 2026.
Review of Kingfisher Blues, poetry by Erik Reece, As the Crow Flies/Appalachian Journal, March 2026.
“Elvis Has Left the Building,” Anti-Heroin Chic, 37: February 2026.
“Leaving” and “Her Last Days,” Sheila-Na-Gig online, Winter, 2025.
“At the corn pile my brother-in-law leaves for the wildlife,” The Poet’s Corner, Nov. 2025.
“Hunter’s Moon,” Southern Humanities Review, V. 58.1, 2025.
“Elegy for Ron Houchin: A Cento” and “[Who will remember those sonorous voices] A Cento for Jeff Daniel Marion,” Appalachian Review, Winter/Spring, 2024.
“Second Winter Solstice during an Epidemic,” Five South, Sept., 2024.
“Blue Night at the Nursing Home,” in Untelling, 2024.
“Rise and Fall: A Sonnet,” Troublesome Rising, Melissa Helton, ed. UP of KY, 2024.
“Young and Red-Headed,” SugarSugarSalt, May 2024.
“Ars Poetica,” “Driving Dirty Knoxville Blues,” “Shout & Tell the Story,” “Unseen,” Salvation South, April 2024.
“The Singing Birds,” One Art: a journal of poetry, April 2024.
“We Were Bag People” and “Lament for my Late Cousin While Feeding the Dog,” Streetlight Magazine, March 2024.
Recent Interviews for Water. Witness. Word.
Marianne Worthington 